A Woodworker’s Guide to Understanding Dyes and Chemicals
by Brian Miller and Marci Crestani
If you’re a woodworker looking to take your skills—and your next project—to a higher level of craftsmanship, you might want to consider coloring your wood with chemicals and dyes instead of stains. Unlike stains that can trap light and obscure grain patterns, chemicals and dyes, when handled properly, are one of the best methods for enhancing a wood’s color or accentuating the grain pattern. A classic technique that’s been practiced for centuries, coloring wood is a sure way to infuse a “wow” into your woodworking efforts.
With expert guidance by Brian Miller, a professor of wood technology who teaches an actual course on coloring wood, The Art of Coloring Wood removes any and all intimidation of working with chemicals and dyes and is the perfect entry point for anyone looking to move on from simple stains to learn the art of coloring wood for dramatic effect.
The Art of Coloring Wood focuses on the six most popular woods used by woodworkers—maple, quartersawn white oak, mahogany, walnut, cherry and alder—and outlines each wood’s unique coloring characteristics. Easy-to-follow and engaging chapters on the different chemicals and dyes that will make your woodworking shine. Each chapter offers recipes, insights, and many, many “a-ha!” moments that make learning about chemicals and dyes both fascinating and within easy reach.
With the helpful sidebars throughout the book offering tips, mistakes, and countless nuggets of information, The Art of Coloring Wood will have you understanding the methods and many worthwhile reasons for coloring your wood while chomping at the bit to get a project completed so you can finish it with style and flair.
About the Authors: Brian Miller teaches woodwork finishing at Cerritos College in Norwalk, California. He has worked extensively on restoring historic houses, including several homes by Greene & Greene and Frank Lloyd Wright. Brian was honored in 2016 for his historic wood preservation work by the California state legislature and the Pasadena Historical Society. Marci Crestani is a former lifestyle columnist for the Los Angeles Times and the Los Angeles Daily News, and has worked as an editor for numerous trade magazines.
$24.95 US • Trade Paperback • 8½" x 11" • 144 pages
ISBN 978-1-61035-305-2
CRAFTS & HOBBIES / Woodwork • BISAC CRA042000
140 Color Photographs • Index
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Woodturning, a form of woodworking where the wood is moving while a stationary tool is used to cut and shape it, is capturing the attention of crafters near and far. Contemporary Woodturning, a clearly illustrated guide for those of all skill levels, features step-by-step instructions for creating 15 original projects with contemporary flair. Easy-to-follow and supported by over 750 inspiring photos, chapters include expert information on spindle and faceplate turning, end-grain hollowing, as well as some nifty decorative techniques such as pyrography, texturing, carving, piercing, and coloring. In addition, readers will have instant access to the most up-to-date information on tools and equipment, sharpening, abrasives, and finishing, plus health and safety issues. Whether you’re a seasoned turner or just starting out, Contemporary Woodturning will bring an abundance of technique and encouragement to your shop.
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Over 300 color photos help woodworkers take full advantage of the essential piece of shop machinery. Peters examines all parts of the lathe, as well as brands and models, features and accessories. Solid information on spindle, faceplate, bowl, and embellishing turning. Also sections on troubleshooting and maintenance.
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Devoted to design principles, influences, appreciation, and application, this fully illustrated manual presents a thoroughly unique approach to becoming a professional furniture maker and designer. The major part of the book is devoted to design principles, influences, appreciation and application for the self-employed craftsman, working either alone or in a partnership, or for the student or woodworker who wishes to start his own business. This section is fully illustrated with examples of work suitable for both batch production and one-off commission work, and these two aspects are discussed in full in two separate chapters. Nine designs are drawn to scale with elevations and plans and detailed cutting lists. A brief introduction is given to the craft furniture movement (Craftsman Furniture), the Cotswold School and the creative craftsmen of the period, followed by an outline of the Froxfield workshops and the author’s own training under Edward Barnsley. It continues with all the aspects of setting up and/or improving the workshop along with the tools and machinery that may be required for a variety of working situations. Business efficiency methods are also explored, including the available professional help such as accountants and solicitors who may ease the paperwork side of running a business, in addition to the promotional aspects—exhibitions, press coverage, gallery display, and photography—that are so essential to growth. Training through trade apprenticeships as well as formal training in specialist schools and technical colleges are given particular attention. This handbook is indispensable to any self-employed craftsman, student, or woodworker looking to start a business.