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  The book includes essential drafting tools for doing practical design. The book is about learning the process of designing a piece of furniture that can be original, establishing a clear approach so mistakes are minimized, fulfills the needs and desires of the client, and fits the budget. For those who are just starting out or have experience in designing furniture, it will give valuable and fresh insight on the process of practical furniture design. The 58-page design manual includes original scale drawings, lofting curves, metric conversion tables, client contracts, standard furniture dimensions and bibliography of design resources. Accompanying the book are: a 6" combined inch/metric ruler, an erasing shield and a 0.7mm mechanical pencil with refills.

• NEW CHAIRS: Innovations in Design, Technology, and Materials

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• NEW BEST OF FWW: DESIGNING & BUILDING CHAIRS

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  “Learn to build comfortable, long-lasting chairs.” Chairs are ubiquitous, found in every home, office, and building. Almost all are commercially made since many woodworkers shy away from making chairs, or even stools. But the articles in this book, reprinted from Fine Woodworking magazine, should help dispel any questions or fears you may have about chair building. Not only can you build them, you can make them better than the average commercially made models.

• GETTING STARTED IN WOODWORKING: FURNITURE YOU CAN BUILD

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  The 4th entry in the Getting Started series, this book is geared for people who want to improve their hand-tool and machine skills but don’t have unlimited time to spend in the workshop. Includes are step-by-step instructions for 8 projects aimed at the novice woodworker. When the sawdust settles, you should have a few attractive furniture pieces to add to your home or give to friends.

• FURNITURE STUDIO 2: TRADITION IN CONTEMPORARY FURNITURE

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  Through beautiful photography and studious essays this second volume in the Furniture Studio series explores the evolution of traditional furniture in contemporary work. We know the elements of traditional furniture design, shell motifs, the pineapple or rice carved bed, or even cabriole legs; but what about the range of meaning in today's contemporary studio furniture? An where is contemporary furniture headed as an artistic endeavor? Included are essays by Jere Osgood, Kathran Siegel, Scott Landis, Glenn Adamson, and others.