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  Roe Osborn’s first book, Framing a House, tackled the complex art of house framing. Now, in this follow-up volume, he lays out all the steps and instruction required to complete the inside. The timing of each step is critical, and it’s important to understand what needs to be done first. Whether you’re finishing one room or the whole house, this richly illustrated reference demystifies the process and follows a logical progression from installing insulation and drywall to hanging cabinets and doors to putting down floors and running trim. Each chapter begins with the question: Should I tackle this step myself ? The pros and cons of hiring someone are then discussed. Applicable both for new construction and remodels and with 400 photographs and 20 drawings, this book shows DIYers how to make a house their own.

• Carving Santas from Around the World

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  This book shows the reader how to carve each of the 12 Santas presented in two different ways: as "standing" Santas and as "shelf-sitting" Santas. The first part of the book covers the basics of carving Santas. The author includes information on the carving and painting techniques, such as wood choice, basic cuts, carving tools, basic painting supplies and finishing materials. The second part of the book focuses on how to carve the Santas. Readers have two options. They can carve either a standing Santa or a shelf-sitting Santa. Each standing Santa is approximately four inches tall, full-bodied, and can stand on a table-top or shelf. The shelf-sitters are flat-bottomed with the addition of swinging legs. These figures are carved specifically to sit on the edge of a shelf or desktop with legs dangling over the edge. In this second section of the book, the author provides a step-by-step demonstration that shows the reader how to carve, paint and finish a standing, full-bodied Santa. An easy-to-follow pattern and finished photos of the carving start this section. Close-up photography and detailed captions cover the project from start to finish. The author then follows up this demonstration with a second demonstration on "shelf-sitters." She shows the reader how to carve and join the body and legs. The third section of the book includes patterns for the remaining 11 Santas. The patterns are specially designed for beginning carvers. Each has two components: a square on-the-wood pattern to help the reader get started, and a dimensional figure to help the reader finish the project. Patterns are included for both the standing and the shelf-sitting versions. Finished examples of each Santa are shown. These shots include views from several angles, plus close-ups as appropriate to provide the reader with a clear idea of the project. Historical notes on the origin of the Santa, plus carving and painting notes round out this section. This book is ideal for beginning level carvers and will appeal to any carver who would like to expand his repertoire of Santas to carve for gifts or for sale.

• BUILDING AN AFFORDABLE HOUSE: TRADE SECRETS TO HIGH-VALUE, LOW-COST CONSTRUCTION

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  If you are a builder, developer, or homeowner intent on getting the most from your new home construction or remodel budget, you need Building An Affordable House. This book gives you the insider techniques used every day by the best homebuilders in the country to save thousands of dollars on the cost of every home they build. Building An Affordable House will help you: * Add curb appeal on a budget * Cut costs and keep quality * Build savings into blueprints * Learn secrets of reducing material costs * Get subs on board from the get-go

• The Art of Whittling [LSI]

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  One of the earliest guides to traditional whittling, this reprint of a 1930s classic preserves all of the original projects and text. This manual is still sought after by whittlers because it explains how to carve many items popular in American tramp art and more complicated items that are not included in most whittling books, such as continuous wooden chains, hand tools, puzzles, balls inside spirals, swivels, entwined hearts, and buildings inside bottles.

• Bird Decoys of North America: Nature, History, and Art-NS

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  Bird decoys, which were first fashioned by Native American hunter-artists at least 1,500 years ago, are the only major folk art form to originate in North America. Today, decoys made during the heyday of decoy carving--roughly from 1840 to 1950--rank among the most avidly sought of all folk art collectibles, with some rare and outstanding examples fetching upwards of $8000,000 apiece at auction. These humble hunting tools, intended to deceive wildfowl by luring them into shooters' range, are now appreciated on many levels: as compelling works of sculpture, as exacting portraits of living and extinct species, and as irreplaceable historical objects. Successful decoy carvers of the past knew their prey intimately--spending countless hours observing game birds in the wild and then bringing their accumulated knowledge of different species' appearance and behavior to the carving bench. Because the works these artisans created were meant to attract avian eyes--conveying the essence of a bird's plumage, form, and attitude at a glance--older handmade decoys are deeply observed symbols of living birds that no merely decorative object, no matter how photographically accurate, can match. In this definitive, lavishly illustrated work, folk-art expert Robert Shaw chronicles the now-vanished era in which the great decoy makers pursued their craft. Shaw traces the natural history of North American bird species--more than sixty of which are represented in antique decoys. He relates the history of wildfowl hunting on this continent, detailing the excesses of nineteenth-century commercial hunting and the rise of a conservation movement aimed at ensuring bird species' long-term survival. He examines the distinctive forms produced in each major hunting area, from the Maritime Provinces of Canada to the Chesapeake Bay to the bayous of Louisiana and beyond. And, with a storyteller's gift for the entertaining anecdote, Shaw puts us in touch with the lives and circumstances of the decoy makers themselves.