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  Spotlighting the work and members of the exclusive carving club, The Caricature Carvers of America (CCA), this photo-illustrated history is a must-have for wood carvers and collectors alike. Perusing the guide's biographies and photos of America’s top caricature carvers, readers will become acquainted with 25 members, both active and emeritus, such as Marv Kaisersatt, Harold Enlow, Peter Ortel, and Pete LeClair. Each profile includes two original patterns viewed from different angles, complete with techniques and painting and finishing tips.

• Woodworking 101: Skill-Building Projects that Teach the Basics

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  For absolute beginners looking to become confident woodworkers relatively quickly, this self-teaching guide will do the trick. Woodworking 101 combines the best material from the four books in Taunton’s Getting Started in Woodworking Series (Getting Started in Woodworking, Your First Workshop, Projects for Your Shop, and Furniture You Can Build). Highly visual and easy to follow, the book includes detailed step-by-step photos, illustrations, shop schematics, and exploded drawings. Readers will learn how to set up and maintain their own shop, work with basic tools, and finesse their skills building a chair, a table, a bookcase, a bench—even a simple bed. With the basics mastered here, there’s no end to what new woodworkers will accomplish for years to come.

• Carving Santas from Around the World

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  This book shows the reader how to carve each of the 12 Santas presented in two different ways: as "standing" Santas and as "shelf-sitting" Santas. The first part of the book covers the basics of carving Santas. The author includes information on the carving and painting techniques, such as wood choice, basic cuts, carving tools, basic painting supplies and finishing materials. The second part of the book focuses on how to carve the Santas. Readers have two options. They can carve either a standing Santa or a shelf-sitting Santa. Each standing Santa is approximately four inches tall, full-bodied, and can stand on a table-top or shelf. The shelf-sitters are flat-bottomed with the addition of swinging legs. These figures are carved specifically to sit on the edge of a shelf or desktop with legs dangling over the edge. In this second section of the book, the author provides a step-by-step demonstration that shows the reader how to carve, paint and finish a standing, full-bodied Santa. An easy-to-follow pattern and finished photos of the carving start this section. Close-up photography and detailed captions cover the project from start to finish. The author then follows up this demonstration with a second demonstration on "shelf-sitters." She shows the reader how to carve and join the body and legs. The third section of the book includes patterns for the remaining 11 Santas. The patterns are specially designed for beginning carvers. Each has two components: a square on-the-wood pattern to help the reader get started, and a dimensional figure to help the reader finish the project. Patterns are included for both the standing and the shelf-sitting versions. Finished examples of each Santa are shown. These shots include views from several angles, plus close-ups as appropriate to provide the reader with a clear idea of the project. Historical notes on the origin of the Santa, plus carving and painting notes round out this section. This book is ideal for beginning level carvers and will appeal to any carver who would like to expand his repertoire of Santas to carve for gifts or for sale.

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• Carving 18th Century American Furniture Elements: 10 Step-By-Step Projects for F

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  Subtitle: "10 Step-by-Step Projects for Furniture Makers". “Carving 18th Century American Furniture Elements” guides the reader through the process of carving authentic motifs found on the most treasured pieces of 18th century American furniture. Each of the 10 projects are presented in a step-by-step progression, from shaping the surface through layout, to rough carving and finally detailed carving. Each step is described in detail with emphasis on technique and methods used to accomplish the task. In addition, the text is supplemented with numerous annotated diagrams and photographs to assist the reader. The intent of the book is two fold. First is that the serious reader will be able to carve the elements from the text and photographs. These projects are not simplified versions that leave out the more complex details that make each element interesting and noteworthy. The entire process is covered and no steps are omitted. Second is to instill confidence in the reader that carving these elements is a learned skill and to provide guidance to that end. “Carving 18th Century American Furniture Elements” is intended for the serious student of American period furniture as well as those who are trying to improve their carving skills through practice and self study. It is written so that an experienced carver can learn new motifs and that a novice can gain confidence quickly. All of the projects are presented as part of a piece of furniture rather than stand-alone items that are for practice only. The projects selected for this book were chosen because of their importance and popularity in relation to museum quality 18th century American pieces.