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• Chainsaw Carving: The Art & Craft, 2nd ed

  $27.99 $16.79 0 review(s)

  
  

  Get inspired to create your own chainsaw art with the help of author and artist Hal Macintosh as he guides you through the chainsaw basics and step-by-step projects that show you how to create "scratch drawings," relief and pierced relief carvings, step-cut carvings, life-sized three-dimensional carvings, and totem poles. An extended photo gallery features the works of 23 chainsaw carvers, and this expanded edition includes new projects with detailed line drawings that show you how to make eight craft projects out of one log, as well as benches, planters, and fire wood holders. You'll find that everything imaginable can be created by a skilled chainsaw artisan -- glass-topped tables, stately bed frames, old-world Santas, soaring eagles and more.

• Bird Decoys of North America: Nature, History, and Art-NS

  $40.00 $24.00 0 review(s)

  
  

  Bird decoys, which were first fashioned by Native American hunter-artists at least 1,500 years ago, are the only major folk art form to originate in North America. Today, decoys made during the heyday of decoy carving--roughly from 1840 to 1950--rank among the most avidly sought of all folk art collectibles, with some rare and outstanding examples fetching upwards of $8000,000 apiece at auction. These humble hunting tools, intended to deceive wildfowl by luring them into shooters' range, are now appreciated on many levels: as compelling works of sculpture, as exacting portraits of living and extinct species, and as irreplaceable historical objects. Successful decoy carvers of the past knew their prey intimately--spending countless hours observing game birds in the wild and then bringing their accumulated knowledge of different species' appearance and behavior to the carving bench. Because the works these artisans created were meant to attract avian eyes--conveying the essence of a bird's plumage, form, and attitude at a glance--older handmade decoys are deeply observed symbols of living birds that no merely decorative object, no matter how photographically accurate, can match. In this definitive, lavishly illustrated work, folk-art expert Robert Shaw chronicles the now-vanished era in which the great decoy makers pursued their craft. Shaw traces the natural history of North American bird species--more than sixty of which are represented in antique decoys. He relates the history of wildfowl hunting on this continent, detailing the excesses of nineteenth-century commercial hunting and the rise of a conservation movement aimed at ensuring bird species' long-term survival. He examines the distinctive forms produced in each major hunting area, from the Maritime Provinces of Canada to the Chesapeake Bay to the bayous of Louisiana and beyond. And, with a storyteller's gift for the entertaining anecdote, Shaw puts us in touch with the lives and circumstances of the decoy makers themselves.

• CARVING NATURE

  $17.95 $10.77 0 review(s)

  
  

  17 projects, all taken from the natural world. These are wildlife studies in wood. Includes a heron, tree frog on a branch, cobra; realistic to abstract, freestanding sculptures to functional decoratives.

• Carving Santas from Around the World

  $14.95 $8.97 0 review(s)

  
  

  This book shows the reader how to carve each of the 12 Santas presented in two different ways: as "standing" Santas and as "shelf-sitting" Santas. The first part of the book covers the basics of carving Santas. The author includes information on the carving and painting techniques, such as wood choice, basic cuts, carving tools, basic painting supplies and finishing materials. The second part of the book focuses on how to carve the Santas. Readers have two options. They can carve either a standing Santa or a shelf-sitting Santa. Each standing Santa is approximately four inches tall, full-bodied, and can stand on a table-top or shelf. The shelf-sitters are flat-bottomed with the addition of swinging legs. These figures are carved specifically to sit on the edge of a shelf or desktop with legs dangling over the edge. In this second section of the book, the author provides a step-by-step demonstration that shows the reader how to carve, paint and finish a standing, full-bodied Santa. An easy-to-follow pattern and finished photos of the carving start this section. Close-up photography and detailed captions cover the project from start to finish. The author then follows up this demonstration with a second demonstration on "shelf-sitters." She shows the reader how to carve and join the body and legs. The third section of the book includes patterns for the remaining 11 Santas. The patterns are specially designed for beginning carvers. Each has two components: a square on-the-wood pattern to help the reader get started, and a dimensional figure to help the reader finish the project. Patterns are included for both the standing and the shelf-sitting versions. Finished examples of each Santa are shown. These shots include views from several angles, plus close-ups as appropriate to provide the reader with a clear idea of the project. Historical notes on the origin of the Santa, plus carving and painting notes round out this section. This book is ideal for beginning level carvers and will appeal to any carver who would like to expand his repertoire of Santas to carve for gifts or for sale.

• RELIEF CARVING IN WOOD: A PRACTICAL INTRODUCTION

  $19.95 $11.97 0 review(s)

  
  

  Pye is a professional carver and here presents a course on relief woodcarving. He uses one design, a fish, and explains exactly what he is doing, why he is doing it, every step of the way. Pye discusses tools, wood, the workplace, and what to do if things go wrong.